Sans Normal Lykav 18 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Actay' and 'Monas Grotesk' by Arodora Type, 'Lyu Lin' by Stefan Stoychev, and 'Rotunda' by TipoType (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logos, athletic, punchy, modern, confident, friendly, impact, motion, display clarity, brand presence, oblique, rounded, bulky, compact, soft corners.
A heavy, oblique sans with rounded, compact letterforms and broad curves that keep counters open despite the dense weight. Strokes remain largely uniform, with gently softened corners and a subtle geometric foundation visible in the circular bowls and smooth arcs. The italic angle is assertive and consistent, giving the shapes a forward-leaning rhythm; terminals are mostly blunt and clean rather than tapered. Overall spacing feels sturdy and display-oriented, with a slight sense of width variation between glyphs that adds lively texture in words.
Best suited for headlines and short, high-impact copy where the weight and slant can do the work of grabbing attention. It fits sports and action-oriented branding, bold packaging callouts, and logo wordmarks that need a forward-driving presence. For longer passages, it will likely work more comfortably at larger sizes with ample line spacing due to its dense color.
The font projects a sporty, energetic tone with an approachable, contemporary feel. Its strong slant and thick silhouettes create urgency and momentum, while the rounded construction keeps it friendly rather than aggressive. It reads as confident and attention-seeking, suited to bold statements.
Designed to deliver maximum impact with a streamlined, rounded sans structure and a pronounced oblique posture. The intention appears to be a bold, modern display voice that signals speed, confidence, and approachability without relying on decorative details.
Round letters like O and Q are notably full and smooth, and the bowls in B/P/R stay generous for readability at large sizes. The italic stance noticeably shapes the word image, producing a fast, dynamic baseline flow in the sample text.