Sans Normal Okmas 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Minimalism' by Adita Fonts, 'Urania' by Hoftype, 'Jam Grotesque' by JAM Type Design, 'Live Grotesk' by Matt Chansky, and 'Helvetica Now' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, modern, confident, clean, straightforward, friendly, impact, clarity, modernity, simplicity, versatility, geometric, rounded, sturdy, crisp, compact.
A sturdy sans with predominantly geometric construction and broad, rounded curves. Strokes are even and dense, with compact apertures and a slightly tightened internal space that gives words a solid, blocky color. Terminals are clean and mostly squared-off, while bowls and counters stay smoothly circular, creating a consistent, contemporary rhythm. The lowercase uses simple, single-storey forms for a and g, with a tall, straightforward t and a firm, vertical i/j treatment that reads clearly at larger sizes.
This font suits headline-driven design where a strong, contemporary sans is needed—posters, brand marks, packaging, and wayfinding-style signage. It can also work for short UI labels or section headers where a firm typographic voice and high visual presence are desirable, while longer passages may feel heavy due to the compact apertures and dense texture.
The overall tone is modern and assertive, with a practical, no-nonsense presence. Its rounded geometry keeps it approachable, but the dense weight and compact openings make it feel confident and emphatic, leaning more toward display impact than delicate refinement.
The design appears intended to deliver a clear, modern sans voice with geometric consistency and strong impact. Its simplified lowercase forms and sturdy proportions suggest a focus on fast recognition and confident display use rather than delicate editorial nuance.
Figures are straightforward and highly legible, with round 0 and 8 forms and simple, strong verticals in 1 and 7. Uppercase shapes are clean and stable; diagonals (V, W, X, Y) feel sharp and energetic against the otherwise rounded system, adding a subtle sense of momentum in headlines.