Sans Superellipse Pyril 2 is a regular weight, narrow, monoline, upright, normal x-height font.
Keywords: ui labels, headlines, posters, signage, branding, futuristic, technical, minimal, clean, retro-tech, space-saving, tech aesthetic, systematic geometry, contemporary branding, rounded corners, squared curves, condensed, geometric, modular.
A condensed, geometric sans built from squared-off curves and rounded-rectangle (superellipse-like) bowls. Strokes are largely uniform with smooth terminals and consistent corner radii, producing a clean, engineered rhythm. Counters tend toward rectangular and oval hybrids, and many letters use simplified, modular construction—noticeably in the curved characters where arcs resolve into softened right angles. The overall spacing and proportions favor compact width with tall, straight-sided stems, giving the text a tight, vertical texture.
Works well for UI labels, dashboards, and product interfaces where compact width and uniform strokes support a tidy layout. It also suits headlines, posters, and signage that benefit from a futuristic, engineered look, as well as branding for technology, gaming, or industrial-themed projects.
The tone reads modern and tech-forward, with a subtle retro sci‑fi flavor reminiscent of industrial labeling and digital-era signage. Its disciplined geometry and softened corners feel precise but approachable, balancing utilitarian clarity with a distinctive, stylized voice.
The design appears intended to deliver a compact, highly consistent geometric voice built around softened rectangular curves. It prioritizes a streamlined, contemporary aesthetic and repeatable modular shapes to create a distinctive identity while remaining readable in short to medium text settings.
Distinctive forms include rounded-shoulder arches (notably in m/n), squared bowls in letters like D/O/Q, and angular joins in v/w/x that keep diagonals crisp while maintaining the same corner softening. Numerals follow the same modular logic, with the 0 and 8 built from rounded-rectangle loops and the 1 kept simple and vertical for a clean numeric rhythm.