Sans Normal Otgaz 11 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'AC Texto' and 'AC Texto Pro' by Antoine Crama, 'Tioga' by Monotype, and 'Carnova' by Typotheticals (names referenced only for comparison).
Keywords: ui text, body text, branding, packaging, signage, friendly, modern, approachable, clean, casual, readability, neutral warmth, everyday use, modern clarity, softened geometry, rounded, soft, humanist, open, airy.
This typeface is a rounded sans with smooth, gently modulated curves and largely uniform stroke thickness. Terminals are softened (often fully rounded), and corners are eased rather than sharp, giving letterforms a warm, tactile feel. Proportions are straightforward and legible, with open counters and clear apertures that keep word shapes readable in text. The lowercase shows simple, contemporary construction with a single-storey “a” and a looped descender on “g,” while numerals are plainly drawn with similarly rounded endpoints and consistent rhythm.
It works well for interface copy and general-purpose text where a clean, non-intimidating tone is desired, including product experiences, dashboards, and mobile apps. The rounded forms also suit branding and packaging that aims to feel personable and modern, and it can scale to signage and headings while maintaining clarity.
The overall tone is friendly and contemporary, with a relaxed, welcoming voice rather than a strictly technical one. Its softened geometry suggests approachability and everyday usability, making it feel informal without becoming quirky or decorative.
The design appears intended as a versatile, contemporary sans that prioritizes readability and friendliness through rounded terminals, open counters, and uncomplicated letter construction. It aims to provide a neutral-but-warm typographic voice that can support both functional text and approachable display settings.
In the sample text, the spacing reads even and comfortable, and the rounded terminals help maintain a cohesive texture across mixed-case lines and punctuation. The design balances circular forms with subtly humanist shaping, avoiding a rigidly geometric feel.