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Free for Commercial Use

Sans Superellipse Akso 9 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Protrakt Variable' by Arkitype, 'Bank Gothic' by GroupType, and 'Midsole' by Grype (names referenced only for comparison).

Keywords: display, branding, posters, signage, user interfaces, techy, futuristic, industrial, clean, confident, modern utility, systematic geometry, interface tone, strong headlines, squared, rounded corners, geometric, compact, modular.


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This typeface is built from sturdy, geometric strokes with a squared-off, rounded-rectangle construction that keeps curves tight and corners consistently softened. Stems and bars maintain a uniform thickness, producing an even, high-contrast-free texture that reads solid and contemporary. Counters tend toward squarish forms and apertures are relatively controlled, giving the letters a compact, engineered feel. The overall set favors crisp terminals, stable verticals, and a slightly modular rhythm that stays consistent across caps, lowercase, and numerals.

Well-suited to headlines and short-form copy where its geometric construction can be a visual feature, such as tech branding, product packaging, and event graphics. Its sturdy shapes also fit wayfinding and environmental signage, and it can work in user-interface labels or dashboards when a firm, contemporary tone is desired.

The design conveys a modern, tech-forward tone with an industrial practicality. Its rounded-square geometry feels systematized and precise, suggesting interfaces, devices, and contemporary signage rather than editorial warmth. The bold presence adds confidence and a utilitarian clarity.

The font appears intended to deliver a modern sans with a distinctive rounded-rectangle geometry that remains highly consistent across the set. Its construction prioritizes clarity, sturdiness, and a recognizable futuristic/industrial character suitable for contemporary graphic and digital contexts.

At text sizes the tight apertures and boxy counters create a dense, uniform color, while at display sizes the distinctive rounded-rect curves and squared bowls become a defining stylistic signature. Numerals follow the same constructed logic, reinforcing a cohesive, functional voice for data-heavy settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸