Stencil Uphi 1 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: posters, headlines, branding, signage, packaging, modern, industrial, technical, futuristic, architectural, stencil expression, modern signage, industrial branding, geometric clarity, geometric, monolinear, segmented, high-contrast openings, rounded forms.
A geometric sans with monoline strokes and crisp, engineered construction. Many letters are built from near-circular bowls and straight stems, interrupted by consistent stencil breaks that create clean bridges and open counters. Curves are smooth and close to perfect arcs, while terminals are mostly flat and squared, producing a precise, machined rhythm. The lowercase stays simple and single-story in feel, and the numerals echo the same segmented logic, with prominent breaks that keep shapes recognizable while emphasizing the stencil theme.
Best suited to display typography such as posters, headlines, logos, and branding systems where the stencil breaks become a key part of the visual identity. It also fits industrial or wayfinding-style signage and packaging, particularly when used at moderate to large sizes for maximum clarity of the bridges.
The overall tone feels contemporary and utilitarian, with a distinctly technical, fabricated character. The repeated breaks read like signage cut-outs or industrial markings, giving the face a futuristic, system-driven mood rather than a handwritten or decorative one.
The design appears intended to merge a clean geometric sans foundation with unmistakable stencil segmentation, creating a contemporary face that signals fabrication, precision, and constructed form. Its consistent bridges and simplified geometry suggest a focus on bold, recognizable shapes that maintain character while emphasizing the cut-out aesthetic.
The stencil gaps are applied with a consistent visual logic across rounds (C, O, Q, e) and straights (E, F, T), which helps maintain coherence at display sizes. The design leans on open forms and strong geometric repetition, so it looks especially striking where the bridges can be clearly resolved.