Sans Superellipse Onmir 6 is a bold, wide, monoline, upright, normal x-height font.
Keywords: headlines, logotypes, posters, ui labels, signage, tech, futuristic, industrial, retro, modular, sci-fi styling, modular system, display impact, branding voice, rounded corners, squared curves, geometric, blocky, stencil-like.
A geometric sans built from rounded-rectangle (superelliptic) forms, with consistent stroke thickness and squared curves throughout. Corners are softly radiused while terminals tend to be blunt and horizontal/vertical, producing a sturdy, engineered silhouette. Counters are generally squarish and open, and many shapes rely on straight segments with rounded joins, creating a modular, almost grid-fitted rhythm. The overall texture is compact and even, with simplified construction in diagonals and curved letters that emphasizes uniformity over calligraphic contrast.
Best suited to display roles such as headlines, branding wordmarks, packaging, and poster typography where its distinctive rounded-square geometry can lead the visual identity. It also fits interface-style labeling, wayfinding, and product graphics that benefit from an engineered, modular feel. For long reading sizes, its strong stylistic voice may be more effective in short bursts than in extended body copy.
The font reads as modern and machine-made, evoking control panels, sci‑fi interfaces, and late-20th-century techno aesthetics. Its rounded-square geometry feels friendly enough to avoid harshness, yet still carries an industrial, utilitarian tone. The stylization lends a purposeful, designed-for-display character rather than a neutral text voice.
The design appears intended to deliver a cohesive techno-geometric look using a consistent rounded-rectangle vocabulary across letters and numerals. By prioritizing uniform stroke weight, blunt terminals, and squared counters, it aims for high visual impact, repeatable rhythm, and a recognizable “system font” personality in display settings.
Several glyphs show deliberately simplified forms (notably in angled letters and some lowercase shapes), reinforcing a constructed, system-like aesthetic. The numerals and capitals appear especially suited to compact labeling thanks to their squared counters and clear, blocky silhouettes.