Sans Faceted Hema 3 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Moubaru' by Alit Design, 'FXMachina' by Comicraft, 'Jonathan Andrea' by Ergibi Studio, 'Minnak' by Esintype, 'Display Carlos' by Gerald Gallo, and 'Stallman Round' by Par Défaut (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, industrial, authoritative, techno, condensed, aggressive, high impact, space saving, futuristic feel, mechanical tone, branding distinctiveness, angular, chamfered, geometric, monoline, spiky.
A tightly condensed, all-caps–friendly display sans with sharp, faceted construction and clipped corners throughout. Strokes are predominantly uniform in thickness, with straight-sided verticals and planar joins replacing curves, producing wedge-like terminals and notched apertures. Counters are narrow and often rectangular, and the overall rhythm is tall and tightly packed, with minimal internal space and a distinctly mechanical silhouette. Numerals and punctuation follow the same chiseled geometry, keeping a consistent, hard-edged texture across lines of text.
Best suited for short, high-impact copy such as headlines, posters, wordmarks, and title treatments where its condensed mass and angular detail can be appreciated. It also fits tech-forward UI titling, industrial-themed branding, and packaging that benefits from a tough, machined voice.
The font communicates a hard, engineered tone—part signage, part sci‑fi interface—with an insistent, forceful presence. Its angular cuts and compressed stance feel disciplined and uncompromising, lending a futuristic-industrial edge that can read as intense or militaristic depending on context.
The design appears intended to deliver maximum visual density and punch in a compact width, using faceted geometry to evoke cutting, carving, or folded metal planes. It prioritizes a distinctive, engineered texture over neutrality, aiming to stand out in display settings with a strong, modern edge.
The faceting creates strong vertical emphasis and a dark typographic color, especially in longer lines. Tight apertures and narrow counters increase the impact at large sizes but can reduce legibility when set small or with tight tracking; giving it extra letterspacing can help the shapes breathe in text-like settings.