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Free for Commercial Use

Wacky Donib 2 is a bold, normal width, medium contrast, upright, short x-height font.

Keywords: posters, headlines, packaging, album art, game titles, playful, quirky, retro, whimsical, handmade, standout display, handcut look, thematic branding, retro flavor, rounded, blocky, chiseled, angular, stencil-like.


Free for commercial use
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A chunky, display-oriented alphabet with softly squared outlines and noticeably irregular, hand-cut details. Strokes are generally thick and monolinear in feel, but edges show subtle waviness, nicks, and asymmetric joins that create an intentionally imperfect rhythm. Many forms lean on rounded-rectangle bowls and counters, with occasional sharp terminals and wedge-like cuts that interrupt the silhouettes. The overall texture is dense and dark, with uneven character widths and a slightly jittery baseline impression in running text.

Best suited for display settings where its quirky construction can be appreciated: posters, headlines, packaging, and entertainment-related branding. It works well for short phrases, title cards, and logo-like wordmarks that benefit from a playful, slightly oddball texture. Use with generous size and spacing to preserve clarity in longer lines.

The font conveys a mischievous, offbeat personality—like lettering carved from rubber, wood, or linoleum and then refined just enough to be readable. Its peculiar cuts and mixed soft/pointed terminals give it a campy, retro-fantasy tone that feels more theatrical than technical. The result is humorous and attention-seeking rather than neutral.

The design appears intended to deliver a distinctive, handcrafted novelty voice built from simple geometric skeletons that are deliberately disrupted with cuts, notches, and uneven terminals. It prioritizes character and silhouette over typographic neutrality, aiming for memorable headlines and themed decorative use.

Distinctive interior cutouts and notched strokes create a pseudo-stencil flavor in several glyphs, while the figures and capitals stay consistently geometric in their outer shapes. In paragraphs, the tight apertures and dark color produce strong graphic impact but can thicken the word shapes quickly at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸