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Free for Commercial Use

Sans Superellipse Ordim 3 is a regular weight, normal width, medium contrast, upright, normal x-height font.

Keywords: headlines, branding, posters, signage, packaging, techno, industrial, retro, utilitarian, mechanical, distinctive display, technical voice, retro-futurism, rugged clarity, engineered geometry, rounded corners, squared forms, stencil-like, ink-trap feel, cut-in terminals.


Free for commercial use
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A geometric sans built from rounded-rectangle and superellipse-like forms, with squared counters and softly chamfered corners. Strokes are predominantly monolinear, but many joins and terminals show distinctive cut-ins and notches that create an ink-trap or pseudo-stencil effect, especially in curves and bowls. The overall rhythm is compact and sturdy, with wide, boxy rounds (O/Q/0) and simplified apertures that keep shapes bold and strongly silhouetted. Numerals and capitals feel consistently engineered, with occasional asymmetries and wedge-like interior cuts adding texture without breaking the font’s grid-based logic.

Best suited to display typography where its geometric silhouette and distinctive cut-in detailing can be appreciated—headlines, logos, posters, labels, and wayfinding. It also works well for UI accents, game or product identities, and tech-themed collateral when a compact, engineered voice is desired.

The font conveys a technical, machine-made tone—somewhere between retro sci‑fi signage and utilitarian industrial labeling. Its rounded-square geometry reads friendly at a distance, while the sharp internal cutouts add edge and a slightly rugged, fabricated character. The result feels modernist but deliberately idiosyncratic, suggesting equipment panels, modular systems, and engineered branding.

Likely intended as a contemporary geometric display sans that evokes rounded-square industrial forms while improving visual separation through strategic cut-ins. The design balances approachable rounded geometry with purposeful mechanical detailing to stand out in branding and large-scale typographic applications.

In text, the repeated interior notches and squared curves create a lively surface and strong word shapes, though the distinctive detailing becomes more pronounced at larger sizes. The design maintains a consistent geometric backbone across upper- and lowercase, with a notably constructed feel in rounded letters and a clear, structured approach to spacing and alignment.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸