Sans Other Dibog 2 is a bold, normal width, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, packaging, children’s, comics, playful, quirky, cartoon, whimsical, friendly, expressiveness, approachability, handmade feel, display impact, bouncy, wobbly, chunky, rounded, irregular.
A chunky sans with soft curves and subtly irregular construction. Strokes are heavy and fairly even, with gentle rounding at terminals and corners, but the outlines and verticals show a deliberate wobble that gives the letterforms a hand-cut, cutout-like feel. Proportions vary across glyphs, with slightly inconsistent widths and lively spacing, creating a bouncing rhythm in text. Counters are generally open and rounded, while diagonals and joins (notably in letters like K, M, N, V, W, X) feel angled and slightly off-axis for extra energy.
Best suited for short, high-impact settings such as headlines, posters, product packaging, and playful branding where character matters more than typographic neutrality. It can work well for children’s materials, comics-style graphics, event promos, and social media graphics. For longer passages, it will be most effective when generous size and spacing are used to keep the lively shapes readable.
The overall tone is cheerful and mischievous, leaning toward cartoon and kids-market friendliness rather than corporate neutrality. Its uneven stance reads as human and expressive, suggesting spontaneity and humor. The texture created by the wobble makes lines of text feel animated and informal.
The design appears intended to deliver an expressive, approachable sans that feels hand-made and fun, using controlled irregularity to create motion and personality. It prioritizes a distinctive texture and friendly presence over strict geometric consistency, aiming to stand out in display applications.
Uppercase shapes are simplified and display-driven, while lowercase maintains the same playful irregularity; together they create a cohesive, deliberately unpolished voice. Numerals are similarly chunky and stylized, with noticeable personality in curved forms (notably 2, 3, 5, and 9). At smaller sizes the uneven geometry may become more prominent, whereas at headline sizes it reads as intentional texture.