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Free for Commercial Use

Serif Flared Hagos 2 is a bold, normal width, medium contrast, italic, normal x-height font.

Keywords: headlines, editorial, posters, packaging, branding, assertive, classic, dramatic, lively, impact, heritage, headline voice, distinct texture, italic emphasis, bracketed, flared, calligraphic, wedge-like, ink-trap-like.


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This typeface presents a sturdy serif structure with pronounced wedge and flared terminals that swell out of the stems, creating a sculpted, inked feel. The letterforms lean with a consistent italic slant, combining compact, heavy shapes with sharply cut entry/exit strokes and tightly controlled counters. Serifs are bracketing into the main strokes rather than forming flat slabs, and many joins show chiseled transitions that add angular sparkle. Rounded letters (C, O, G, e) are full and weighty, while diagonals (K, V, W, X) have crisp, knife-like endings that emphasize motion and contrast within the stroke. Numerals follow the same energetic, wedge-terminal language and read as robust and display-oriented.

Best used at display sizes where the flared terminals and chiseled joins can be appreciated—magazine headings, book covers, posters, and brand marks. It can also work for short editorial blurbs or pull quotes when a dense, authoritative texture is desired, but it is likely most effective in compact passages rather than long-form reading.

The overall tone is confident and traditional with a spirited, headline-driven energy. The flared endings and italic rhythm evoke editorial authority—suggesting heritage and gravitas—while the sharp cuts and lively stress add urgency and punch. It feels suited to messaging that wants to be both classic and attention-grabbing.

The design appears intended to merge classic serif authority with a dynamic italic drive, using flared, wedge-like endings to create a distinctive silhouette and strong word shapes. Its forms prioritize impact and rhythm over neutrality, aiming for memorable texture in titles and branded statements.

Spacing appears relatively tight in text, reinforcing a dense, impactful texture. Several lowercase forms (notably a, g, y, and the long, tapering t) contribute a distinctly calligraphic cadence, while the caps remain more monumental and blocky, creating a strong hierarchy between headline and supporting text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸