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Free for Commercial Use

Sans Normal Kerib 3 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Ideal Sans' by Hoefler & Co., 'Quire Sans' by Monotype, 'Sensibility' by Shinntype, 'Cinta' by Tipo Pèpel, 'Rahere Informal' by ULGA Type, and 'Werk' by Wilton Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, playful, confident, retro, create motion, boost impact, add friendliness, retro appeal, rounded, oblique, punchy, compact, heavy terminals.


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A heavy, oblique sans with rounded bowls and softened corners that keep the silhouette friendly despite the dense weight. Strokes are largely uniform, with subtle modulation coming mainly from angled joins and ink-trap-like notches in a few forms. The counters are moderately tight, and the overall rhythm is compact and energetic, with a forward slant that reinforces motion. Numerals and capitals read sturdy and graphic, while the lowercase keeps a simple, rounded construction with occasional angled terminals.

Best suited for headlines, short slogans, and large-format copy where the heavy, slanted forms can project energy and impact. It works well for sporty branding, event graphics, packaging callouts, and promotional materials that benefit from a strong, friendly display voice. In longer passages, it is most effective as a secondary emphasis style rather than continuous body text.

The overall tone is energetic and assertive, leaning toward sporty and retro display styling. Its rounded geometry and soft edges make it feel approachable and playful, while the strong weight and slant add urgency and momentum. The result is a voice that feels bold in personality and well-suited to attention-grabbing messaging.

The design appears intended to deliver a fast, dynamic feel through a consistent oblique stance and compact, rounded construction. It prioritizes punchy presence and clear silhouettes over delicate detail, aiming for a modern-retro display sans that remains approachable and legible at larger sizes.

The italic angle is consistent across cases, and the wide, dark silhouettes produce strong color on the page. Curved letters like O/C/G and the rounded lowercase forms help maintain smooth flow in text, but the tight counters and heavy strokes make it most comfortable at larger sizes where shapes can breathe.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸