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Free for Commercial Use

Sans Normal Nukab 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Swiss 721' by Bitstream; 'Neue Haas Grotesk Display' by Linotype; 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection; and 'Nimbus Sans Arabic', 'Nimbus Sans Novus', and 'Nimbus Sans Round' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, modern, friendly, punchy, straightforward, impact, clarity, display, modernity, readability, geometric, rounded, compact, sturdy, clean.


Free for commercial use
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This typeface is built from broad, even strokes with smooth curves and firmly squared terminals. Letterforms feel compact and blocky, with generous bowls and counters that stay open despite the heavy weight. The geometry leans circular in characters like O, C, and G, while verticals and horizontals remain crisp, producing a stable, poster-ready texture. Lowercase forms are simple and utilitarian, with single-storey a and g and minimal modulation across the set; numerals are robust and highly legible with clear silhouettes.

It performs best in display contexts such as bold headlines, posters, and signage where impact and quick recognition matter. The sturdy, clean forms also suit branding and packaging applications that need a modern, approachable voice with strong visual presence.

The overall tone is assertive and contemporary, projecting clarity and confidence rather than delicacy. Its rounded geometry and uncomplicated shapes keep it approachable, while the dense weight and tight presence add punch and authority in headlines.

The design appears intended as a high-impact sans for attention-driven typography, prioritizing sturdy construction, simple geometry, and clear readability at large sizes. Its consistent, no-nonsense letterforms suggest a focus on versatile display use across print and digital layouts.

Across the alphabet and figures, curves and joins are consistently handled, giving the font a uniform rhythm at large sizes. In text settings, the heavy color creates strong emphasis and clear word shapes, though it will naturally read best with ample spacing and breathing room due to the dense strokes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸