Font Hero

Free for Commercial Use

Sans Normal Mumod 2 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Almoni' by AlefAlefAlef, 'CF Mod Grotesk' by Fonts.GR, 'Etrusco Now' by Italiantype, 'Molde' by Letritas, and 'Milligram' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, punchy, friendly, retro, assertive, playful, impact, approachability, display, retro feel, blocky, rounded, compact, soft corners, heavy color.


Free for commercial use
Customize the font name

A heavy, rounded sans with compact, block-like letterforms and gently softened corners. Curves are broadly drawn and terminals tend to look squared-off rather than tapered, giving a sturdy, poster-ready texture. Counters are relatively small for the weight, and the overall spacing feels tight and efficient, producing a dense, high-impact rhythm in text. Lowercase forms keep a straightforward, single-storey feel where applicable, and the numerals match the same chunky, geometric construction.

Best suited for bold headlines, posters, display typography, and branding where immediate impact and a friendly authority are desired. It also works well for packaging and short signage messages, especially when set with generous line spacing to keep the dense shapes from feeling cramped.

The tone is confident and upbeat, combining a friendly roundness with a strong, no-nonsense presence. Its proportions and dense color recall classic headline typography, reading as energetic, slightly retro, and attention-seeking without becoming decorative.

The design appears intended to deliver maximum visual punch with approachable rounded geometry, prioritizing strong silhouette and consistent mass for display settings. It aims for clear, uncomplicated forms that hold up well at large sizes while projecting a warm, retro-leaning confidence.

Diagonal letters (like K, V, W, X, Y) appear more slab-like than sharp, with broad joins that emphasize mass over finesse. The punctuation-less sample shows that at larger sizes the texture becomes pleasantly uniform, while smaller sizes may feel crowded due to tight counters and heavy strokes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸