Sans Superellipse Ormaz 5 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Swiss 911' by Bitstream, 'Compacta' by ITC, 'Helvetica' by Linotype, 'CG Triumvirate' and 'Compacta MT' by Monotype, and 'Compacta SB' and 'Compacta SH' by Scangraphic Digital Type Collection (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, sports branding, industrial, assertive, condensed, poster-ready, utilitarian, space saving, high impact, modern utility, brand stamping, sign clarity, blocky, compact, rounded corners, dense.
This typeface uses compact, vertical proportions with heavy, uniform strokes and tightly enclosed counters. Curves are built from rounded-rectangle geometry, producing squarish bowls and softened corners rather than circular forms. Terminals are clean and blunt, joins stay sturdy, and the overall rhythm is dense with minimal internal whitespace. The lowercase maintains a large footprint relative to the caps, and the numerals follow the same squared, monoline construction for a consistent, sign-like texture.
It is well suited to headlines, posters, packaging, and signage where a compact footprint and strong presence are desirable. It can also work for logos or wordmarks that need a tall, compressed silhouette, and for sports or event branding where impact and firmness are key.
The overall tone is forceful and functional, evoking modern industrial labeling and high-impact headline typography. Its compact width and dark color give it a commanding, no-nonsense voice that reads as efficient and direct rather than delicate or expressive.
The design appears intended to deliver maximum visual impact in minimal horizontal space while keeping forms simple and robust. Its rounded-rectangle skeleton suggests a deliberate move toward a geometric, engineered look that remains approachable through softened corners.
The condensed build and tight counters make the design feel especially solid at larger sizes, where the rounded-corner construction becomes a defining characteristic. In longer lines, the dense texture can feel heavy, so spacing and size choices will strongly influence readability.