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Free for Commercial Use

Sans Other Garu 8 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Cuanky' by Kereatype, 'Greater Neue' and 'Greater Neue Condensed' by NicolassFonts, 'Sans Beam' by Stawix, and 'Freitag Display' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, titles, playful, retro, chunky, quirky, cartoonish, standout, whimsy, retro feel, handmade look, headline impact, bulky, bouncy, soft-cornered, high-impact, irregular.


Free for commercial use
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A heavy, blocky sans with compact, rounded counters and subtly irregular contours that create a hand-cut, poster-like feel. Strokes are thick and broadly consistent, but edges and joins show small, intentional shifts that introduce a wavy rhythm across stems, bowls, and diagonals. Terminals tend to be blunt with softened corners, and several forms lean into asymmetry (notably in curved letters and numerals), producing a lively, uneven texture at display sizes. Overall proportions are sturdy and space-efficient, with dense black shapes and relatively tight interior openings that emphasize mass and silhouette.

Best used for large-scale display typography such as posters, event titles, product packaging, and bold brand marks where its playful irregularity can be a feature. It also works well for short bursts of copy—pull quotes, cover lines, and signage—where impact matters more than sustained readability.

The font conveys a fun, mischievous energy with a distinctly retro display attitude—more comic and carnival than corporate. Its bouncy irregularity reads as friendly and informal, with an attention-grabbing, slightly eccentric voice suited to bold, characterful messaging.

The design appears intended to deliver maximum visual punch with a friendly, offbeat personality, combining a sturdy sans foundation with deliberately uneven shaping to evoke handcrafted, retro display lettering. The goal seems to be strong silhouette recognition and expressive texture rather than neutral, text-focused clarity.

In the sample text, the dense letterforms create strong headline presence, but the small counters and busy silhouettes can reduce clarity as size decreases or in longer passages. The numerals share the same chunky, cutout-like construction, supporting consistent emphasis in pricing, dates, or short numeric callouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸