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Sans Superellipse Morow 3 is a bold, narrow, low contrast, italic, tall x-height font visually similar to 'Quota' by Ryan Williamson (names referenced only for comparison).

Keywords: headlines, branding, packaging, signage, sportswear, sporty, retro-futuristic, industrial, confident, dynamic, speed cue, compact impact, technical modernity, system consistency, display clarity, condensed, rounded, superelliptical, oblique, monolinear.


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A condensed, oblique sans with monoline strokes and rounded-rectangle (superellipse) construction throughout. Curves terminate in soft, squared ends, and counters tend to be compact and vertically oriented, giving the letters a tight, aerodynamic rhythm. Uppercase forms are streamlined and simplified, with squared bowls and open apertures; lowercase echoes this with sturdy, rounded corners and minimal modulation. Numerals follow the same squared-round geometry, reading cleanly and consistently alongside the letters.

Best suited for short-to-medium display settings where a compact, high-impact voice is useful: headlines, branding marks, product packaging, sports and automotive graphics, and wayfinding/signage. It can also work for UI labels or interface-style copy when a condensed, energetic look is desired, though its assertive texture favors larger sizes.

The overall tone is fast, engineered, and modern, with a slightly retro technical flavor reminiscent of racing, transit, or sci‑fi interface lettering. Its compact proportions and forward slant project motion and confidence, while the rounded corners keep it approachable rather than harsh.

The likely intention is a contemporary display sans that emphasizes speed and efficiency through condensed proportions, a forward slant, and a unified superelliptical skeleton. By keeping strokes even and terminals rounded-square, it aims to deliver a strong, industrial-modern identity with clear, consistent forms across the character set.

The design leans on repeated superelliptical motifs—rounded corners, squared bowls, and pill-shaped counters—creating a cohesive system across caps, lowercase, and figures. Spacing appears set to maintain a tight, efficient texture in lines of text, supporting a strong, poster-like presence even in longer samples.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸