Sans Superellipse Edmor 11 is a regular weight, normal width, low contrast, italic, tall x-height font visually similar to 'Boxed' and 'Boxed Round' by Tipo Pèpel and 'URW Dock Condensed' by URW Type Foundry (names referenced only for comparison).
Keywords: ui labels, app branding, wayfinding, packaging, headlines, modern, technical, streamlined, sporty, clean, modernize, streamline, soften, differentiate, rounded corners, soft terminals, squared rounds, monoline, oblique.
A slanted, monoline sans with rounded-rectangle construction and softened corners throughout. Curves resolve into squarish bowls and counters, giving letters like C, D, O, and e a superelliptical feel rather than purely circular geometry. Strokes stay even with minimal modulation; terminals are smooth and slightly blunted, and joins are clean and controlled. Proportions favor a tall lowercase with compact ascenders/descenders and open spacing that keeps forms clear in running text. Numerals share the same rounded, engineered logic, with simple, sturdy shapes and consistent stroke endings.
This font fits interface typography, dashboards, and product experiences where a modern italic voice is useful without sacrificing clarity. It also works well for short headlines, sport/tech branding, and packaging that benefits from a streamlined, rounded-square aesthetic and a consistent, even typographic color.
The overall tone reads contemporary and purposeful, combining friendly rounding with a disciplined, engineered silhouette. It suggests speed and efficiency—more athletic and UI-forward than editorial—while remaining approachable due to the softened corners and steady rhythm.
The design appears intended to blend a utilitarian sans structure with superelliptical rounding to create a distinct, contemporary italic suitable for digital and brand-forward contexts. Its even strokes and controlled shapes prioritize consistency and legibility while adding character through squared-round geometry.
The italic angle is consistent and built into the letterforms rather than appearing as a mere mechanical slant, with diagonals and curves drawn to maintain uniform color. Rounded-square counters create a distinctive texture in paragraphs, producing a slightly “tech” cadence compared with more humanist italics.