Sans Superellipse Hidos 10 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Angela Love Sans' by Fargun Studio, 'Double Porter' by Fenotype, and 'Miguel De Northern' by Graphicxell (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, signage, industrial, assertive, sporty, condensed, retro, space saving, high impact, geometric cohesion, signage clarity, blocky, compact, sturdy, rounded corners, high contrast counter.
A compact, heavy sans with tall proportions and rounded-rectangle construction throughout. Strokes are consistently thick with minimal modulation, producing dense, uniform color in text. Corners and terminals are softly squared rather than fully circular, and bowls lean toward superelliptical shapes, giving the face a structured, engineered look. Counters are relatively tight but kept open enough for recognition, and the numerals follow the same squared-round geometry for a cohesive, signage-like rhythm.
Best suited to short, high-impact settings such as headlines, poster titles, brand marks, packaging callouts, and wayfinding where compact width helps fit more characters per line. It also works well for bold UI labels and sports or industrial-themed graphics that benefit from a sturdy, condensed presence.
The overall tone is bold and no-nonsense, with an industrial confidence that reads loud and direct. Its condensed stance and squared rounding evoke utilitarian labeling and classic athletic or workwear graphics, balancing toughness with a friendly softness at the corners.
The design appears intended to deliver maximum impact in minimal horizontal space, using a consistent rounded-rectangle geometry to maintain clarity while feeling solid and modern. Its emphasis on uniform stroke strength and compact proportions suggests a focus on display use, strong silhouette recognition, and a cohesive, system-like appearance across letters and numbers.
In the sample text, the heavy weight and narrow set create strong vertical cadence and impactful headlines, while long passages feel dense due to the dark texture. The rounded-square shaping is especially apparent in curved letters and digits, which stay controlled and geometric rather than expressive or calligraphic.