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Free for Commercial Use

Sans Contrasted Geri 1 is a very bold, very wide, high contrast, italic, normal x-height font visually similar to 'Cairoli Classic' by Italiantype, 'Gigranche' by Ridtype, 'Fixture' by Sudtipos, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logo design, sporty, assertive, dynamic, retro, impact, speed, branding, headline presence, slanted, compact, chunky, angular, ink-trap-ish.


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A heavy, right-slanted sans with compact apertures and tightly controlled counters. Forms are built from broad strokes with pronounced thinning in joins and diagonals, creating a crisp, high-energy rhythm. Terminals are mostly squared-off and slightly chamfered, and several glyphs show wedge-like cuts and notch details that read like subtle ink-traps at display sizes. Uppercase proportions are wide and blocky, while the lowercase stays sturdy and compact with simple, single-storey shapes where applicable and a straightforward, modern construction overall.

This design performs best in large, attention-grabbing contexts such as headlines, posters, sports/event branding, packaging callouts, and logo or wordmark work. It can also serve as an energetic accent in editorial or digital layouts when used sparingly and with generous spacing.

The overall tone is fast, punchy, and unapologetically bold, with a sporty, headline-driven attitude. Its oblique stance and sharp internal cuts give it a sense of motion and impact, leaning toward a retro athletic and action-poster feel rather than quiet neutrality.

The font appears intended to deliver maximum impact with a sense of speed and modern swagger, combining a sturdy sans foundation with angled, cut-in details to keep large black shapes lively. The contrast and notches help maintain character and definition in heavy strokes, reinforcing its role as a display-first, branding-oriented italic.

The slant is consistent across caps, lowercase, and numerals, and the texture stays even in longer lines of text. The deepest joins and diagonals (notably in letters like K, M, N, V, W, X) emphasize contrast through sharp thinning, which adds sparkle but can also create busy spots in dense settings. Numerals share the same broad, rounded-rectangle logic and feel suited to prominent, large-scale use.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸