Sans Faceted Mibe 10 is a bold, normal width, monoline, upright, tall x-height font visually similar to 'Albeit Grotesk Caps' by Cloud9 Type Dept, 'Masifa Rounded' by Hurufatfont, 'Neusa Neu' by Inhouse Type, 'B52' by Komet & Flicker, and 'Reload' by Reserves (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, packaging, industrial, technical, athletic, retro, assertive, impact, durability, clarity, modern utility, geometric character, octagonal, chamfered, blocky, compact, angular.
A heavy, geometric sans built from straight strokes and crisp chamfered corners, replacing curves with planar facets. The forms are predominantly rectangular and octagonal, with consistent stroke weight and tight internal counters that emphasize solidity. Terminals and joins are sharply cut, creating a rhythm of repeated angled notches across rounds and diagonals. Spacing reads sturdy and compact, with a high x-height and a controlled, engineered silhouette in both caps and lowercase.
Best suited for headlines, logos, packaging, and environmental graphics where strong geometry and immediate legibility are priorities. It can also work for labels, wayfinding, and sports or tech-themed communications, especially when set at medium to large sizes where the faceting becomes a defining feature.
The overall tone is tough and utilitarian, suggesting machinery, equipment labeling, and no-nonsense signage. Its faceted construction adds a sporty, scoreboard-like edge that feels both retro and technical. The bold presence communicates confidence and impact rather than softness or refinement.
The design appears intended to deliver a robust, easily readable sans with a signature faceted look, evoking industrial construction and sport/utility lettering. By standardizing angled cuts in place of curves, it aims to feel engineered and contemporary while retaining a familiar block-letter accessibility.
The numerals and rounded letters (such as O, C, G, and 0) lean into octagonal geometry, which helps maintain consistency across the set and preserves clarity at display sizes. Diagonals are clean and decisive, and the angular cuts give the face a distinctive texture when set in longer lines.