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Free for Commercial Use

Sans Normal Mynil 3 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'AG Book W1G' and 'Akzidenz-Grotesk Next' by Berthold, 'Applied Sans' by Monotype, and 'Peter' by Vibrant Types (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, punchy, modern, playful, impact, approachability, clarity, modernity, soft corners, rounded terminals, blocky, compact joins, high impact.


Free for commercial use
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This typeface is built from heavy, simplified forms with broad proportions and rounded outer curves. Strokes maintain an even, low-modulation weight, producing solid counters and a strong, poster-like silhouette. Corners are generally softened, with curved shoulders and rounded terminals that keep the texture approachable despite the mass. The uppercase is wide and stable, while the lowercase shows simple, single-storey constructions (notably a and g) and sturdy verticals that preserve clarity at large sizes.

Best suited to display typography where maximum impact is needed: headlines, campaign graphics, posters, and bold brand statements. Its rounded, substantial shapes also fit packaging and signage, especially when legibility must hold up under quick viewing or at distance. For longer passages, it works most effectively in short bursts such as callouts, subheads, or emphasis.

The overall tone is bold and upbeat, combining a utilitarian sans structure with soft, friendly rounding. It feels contemporary and direct, with a slightly playful warmth rather than a strict, corporate neutrality. The dense black shapes create an assertive voice suited to attention-grabbing messaging.

The design appears intended to deliver a strong, contemporary sans voice with softened geometry—prioritizing immediate readability and visual punch while avoiding sharp, aggressive detailing. It aims for a versatile, brand-friendly personality that can feel both robust and approachable.

Large counters and open apertures help prevent the heavy weight from closing up in display settings, while the numerals follow the same chunky, rounded logic for consistent color across mixed text. The sample text shows a tight, compact rhythm that reads best with ample line spacing and generous margins.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸