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Free for Commercial Use

Sans Normal Muraw 11 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Gezart' by Ani Dimitrova, 'Garrison' by Latinotype, 'Gardner Sans' by Lewis McGuffie Type, 'Akwe Pro' by ROHH, 'Axios Pro' by TipoType, and 'Masny' by Tour De Force (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, confident, playful, sporty, punchy, impact, approachability, clarity, modernity, rounded, soft, chunky, geometric, compact.


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A heavy, rounded sans with broad proportions and compact internal counters. Curves are smooth and near-circular, while joins and terminals feel slightly flattened, giving the letters a sturdy, blocky silhouette. The stroke weight is consistently strong with modest contrast, producing dense black shapes and a steady rhythm across capitals, lowercase, and figures. Numerals are similarly robust and wide, matching the typeface’s overall mass and emphasis.

Best suited for display use where strong presence is needed—headlines, posters, large-format signage, and attention-grabbing branding. Its rounded, geometric feel also works well for packaging and promotional graphics, especially where a friendly but forceful voice is desired. In longer passages, the dense color and compact counters suggest using larger sizes and generous leading for comfortable reading.

The font reads upbeat and assertive, with a friendly softness that keeps the heavy weight from feeling harsh. Its rounded geometry and tight counters create a bold, contemporary tone that feels energetic and approachable rather than formal. Overall, it projects a sporty, headline-forward character with a hint of playful warmth.

The design appears intended to deliver maximum impact with an approachable, rounded geometry—combining heavy weight and wide forms for visibility while keeping the tone friendly and contemporary. It favors bold shapes and consistent rhythm to remain legible and recognizable at a glance in branding and display contexts.

Spacing appears tuned for impact: sidebearings look relatively tight, and the heavy color holds together strongly in lines of text. The lowercase shows simple, straightforward constructions that prioritize clarity and solidity over delicate detail, and the figures maintain the same chunky presence for consistent typographic color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸