Sans Normal Nakim 11 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Delargo DT' by DTP Types, 'FF Mutual' by FontFont, 'Neue Frutiger Devanagari' by Linotype, 'Belle Sans' by Park Street Studio, 'Artford' by Synthview, 'URW Form' by URW Type Foundry, and 'Nova Pro' by XdCreative (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, playful, friendly, sporty, retro, display impact, friendly branding, high legibility, modern simplicity, soft corners, compact bowls, large counters, blocky, high impact.
This is a heavy, rounded sans with broad proportions and sturdy, mostly monolinear strokes. Terminals are clean and blunt, with softened corners and generous counters that keep letters open even at very heavy weight. The uppercase has a stable, billboard-like structure, while the lowercase shows compact, single‑storey shapes (notably a and g) and a short, robust t with a strong crossbar. Curves are slightly squashed and geometric in feel, giving round letters a wide, punchy silhouette, and diagonals (V, W, X, Y) are thick and steady without sharp contrast.
Best suited to large-scale settings where strong presence and quick readability matter, such as headlines, posters, logos, packaging, and short brand statements. It also works well for signage and UI or marketing callouts where a friendly, sturdy voice is needed, but it may feel heavy for long-form text.
The overall tone is bold and approachable, combining a friendly softness with assertive presence. It reads as energetic and slightly retro, with a casual, modern pragmatism that suits attention-grabbing headlines without feeling overly formal.
The design intent appears to be a bold, geometric-leaning sans optimized for impact and clarity, balancing wide, rounded forms with open counters to remain legible at very heavy weights. It aims to deliver an approachable, contemporary display voice with a hint of retro warmth.
Spacing appears designed to stay readable at display sizes, with interior whitespace doing much of the clarity work. The numerals are similarly weighty and rounded, matching the letterforms for cohesive, high-impact composition.