Sans Normal Rumay 1 is a regular weight, normal width, low contrast, italic, tall x-height font visually similar to 'Faculty' by Device and 'Byker' by The Northern Block (names referenced only for comparison).
Keywords: ui labels, app interfaces, branding, headlines, posters, modern, friendly, clean, sporty, casual, emphasis, clarity, contemporary tone, approachability, humanist, oblique, rounded, open, airy.
A slanted sans with smooth, rounded curves and softly tapered stroke endings. The construction is clean and low in contrast, with open apertures and generous internal space that keep forms readable. Proportions feel upright and straightforward but with an oblique angle that adds momentum; lowercase is notably large relative to capitals, and counters stay clear even in compact shapes. Numerals follow the same rounded, slightly forward-leaning rhythm, maintaining consistent texture across mixed text.
This font works well where a clean, modern sans is needed but with extra energy—such as UI labels, dashboards, product pages, and contemporary branding. The large lowercase and open counters help maintain clarity in short text and moderate sizes, while the oblique angle makes it effective for headlines, callouts, and promotional graphics.
The overall tone is contemporary and approachable, with an energetic, on-the-move feel from the consistent slant. Its rounded shapes and open forms read as friendly and practical rather than formal, lending a light, everyday voice to headlines and UI copy.
The design appears intended to provide a versatile italicized voice within a sans system—maintaining straightforward, rounded geometry for clarity while adding forward motion for emphasis. It aims for a neutral, contemporary base with a friendly edge, suitable for both interface and display settings.
The slant appears uniform across uppercase, lowercase, and figures, producing a cohesive typographic color in paragraphs. Curves dominate the design, and joins are kept simple, giving the face a smooth flow suited to continuous reading as well as short emphasis lines.