Sans Normal Otkut 5 is a regular weight, normal width, medium contrast, italic, normal x-height font visually similar to 'Carole Sans' by Schriftlabor (names referenced only for comparison).
Keywords: ui labels, signage, infographics, editorial decks, brand systems, modern, clean, dynamic, technical, neutral, emphasis, clarity, modernization, legibility, utility, oblique, rounded, open, crisp, slanted.
This typeface is an oblique, sans-serif design with clean, rounded construction and a steady, even rhythm. Strokes are smooth and fairly uniform, with subtle modulation that becomes most apparent in curved joins and terminals. Counters are open and generously shaped, giving letters like C, G, O, and e a clear, airy interior. The slant is consistent across capitals, lowercase, and numerals, and the overall spacing reads as balanced with a slightly forward-leaning momentum.
It suits interface copy, navigation, and labeling where a clean sans with an energetic slant helps differentiate emphasis without becoming ornate. It also works well for modern editorial layouts, presentations, and infographics, where its open counters and smooth curves remain legible at a range of sizes. The consistent oblique angle makes it a natural choice for highlights, product naming, and forward-leaning brand applications.
The font conveys a modern, efficient tone with a sense of motion from its oblique stance. Its rounded forms keep it approachable, while the crisp silhouettes and disciplined geometry feel contemporary and utilitarian rather than expressive or decorative.
The design appears intended to deliver a contemporary sans-serif voice with built-in motion and emphasis through a consistent oblique angle. Its rounded geometry and open apertures suggest a focus on legibility and a friendly, modern neutrality suitable for broad everyday use.
Uppercase forms are straightforward and geometric, while the lowercase maintains single-storey shapes (notably a and g) that reinforce clarity and informality. Numerals follow the same slanted, rounded logic and appear designed for readability at a glance. The italics are not calligraphic; they feel more like a purposeful oblique cut that preserves the sans structure.