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Slab Contrasted Pyne 5 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Artegra Slab' by Artegra, 'Best Bet JNL' by Jeff Levine, 'Hoyle' by Mans Greback, and 'Palo Slab' by TypeUnion (names referenced only for comparison).

Keywords: headlines, posters, signage, logos, packaging, western, poster, rugged, playful, vintage, impact, heritage, attention, blocky, bracketed, chunky, ink-trap-like, rounded.


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A heavy, slab-serif design with compact, blocky letterforms and strongly bracketed serifs that read as sturdy and carved. Strokes show noticeable contrast, with thick verticals and slightly tapered joins that create small ink-trap-like notches in tight corners. Curves are broadly rounded (notably in O, C, and numerals), while terminals and slabs keep a squared, authoritative finish. Overall spacing and shapes feel robust and display-oriented, with a lively rhythm created by the pronounced serifs and the subtle narrowing at joins.

Best suited to headlines and short bursts of text where its heavy slabs and textured joins can work as a graphic feature—posters, bold editorial display, storefront or event signage, and logo wordmarks. It can also be effective on packaging and labels that want a vintage or handcrafted tone, particularly in larger sizes.

The font conveys a bold, rustic confidence with a distinctly old-time, showbill flavor. Its chunky slabs and bracketed details suggest heritage signage and frontier-era typography, while the rounded counters keep it approachable and slightly playful.

This design appears intended as a high-impact display slab that blends traditional show-type proportions with a rugged, sign-painter sensibility. The combination of bracketed slabs, rounded bowls, and purposeful corner cut-ins prioritizes personality and presence over neutrality.

Lowercase forms maintain the same sturdy construction as the caps, giving mixed-case settings a consistent, emphatic color. Numerals are large and weighty, matching the headline tone; the ‘0’ is especially round and prominent. The strong corner cut-ins and bracket transitions add texture that becomes more noticeable at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸