Sans Superellipse Isgo 2 is a very bold, wide, medium contrast, upright, tall x-height font.
Keywords: headlines, posters, packaging, signage, sports branding, sporty, industrial, retro, tough, confident, impact, branding, clarity, bold display, geometric character, blocky, rounded, squarish, compact, sturdy.
A heavy, block-oriented sans with rounded-rectangle construction throughout. Curves resolve into soft corners rather than true circles, giving counters and bowls a squarish, superelliptical feel. Strokes are consistently thick with minimal modulation, terminals are mostly flat, and joins are clean and geometric. Proportions are broad with a large x-height, short extenders, and generally compact internal counters; the numerals and caps read especially solid and engineered. The overall rhythm is tight and punchy, with occasional asymmetric details in diagonals and angled terminals that keep the texture from feeling purely modular.
Best suited to display settings where strong silhouettes and dense color are assets: headlines, posters, signage, packaging, and bold brand marks. It holds up well in short phrases and large sizes where the rounded-block geometry can be appreciated and the compact counters remain clear.
The font conveys a bold, no-nonsense attitude—confident, sporty, and slightly retro. Its rounded block forms feel friendly at the corners but still assertive, creating a tone that’s energetic and built-for-impact rather than delicate or understated.
The design appears intended to deliver maximum impact with a geometric, rounded-rectangle vocabulary—combining friendly corners with sturdy, engineered forms. It emphasizes immediate legibility and strong branding presence, evoking athletic, industrial, or retro display typography.
The superelliptical bowls in letters like O, D, P, and a, along with squared apertures in C and S, create a distinctive “rounded-square” motif. Diagonals in letters such as K, V, W, X, and Z are broad and emphatic, reinforcing a rugged, sign-like presence. The overall texture remains highly uniform, prioritizing silhouette clarity and mass over fine detail.