Sans Superellipse Hidus 18 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Bergk' by Designova, 'Broadside' by Device, 'Bebas Neue Pro' by Dharma Type, 'Brinova' by Digitype Studio, 'Nestor' by Fincker Font Cuisine, and 'Neusa Neu' by Inhouse Type (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, confident, condensed, modern, punchy, space-saving impact, display emphasis, modern utility, strong silhouette, blocky, compact, rounded, sturdy, high-contrast (mass).
A compact, heavy sans with tightly packed proportions and rounded-rectangle construction. Curves read as squarish superellipses, giving counters a soft-cornered, engineered feel rather than a purely circular one. Strokes maintain an even thickness with blunt terminals, and joins are clean and utilitarian. The overall rhythm is dense and vertical, with narrow letter widths, small apertures, and robust bowls that hold their shape well at large sizes.
Best suited for bold headlines, posters, and branding where space is limited but impact is required. The dense texture and sturdy shapes also work well for packaging, labels, and short signage lines, especially at medium to large sizes where the tight apertures remain clear.
The tone is assertive and no-nonsense, with a contemporary industrial flavor. Its condensed heft feels efficient and headline-driven, projecting strength and urgency while the rounded corners keep it from feeling harsh or overly rigid.
The design appears intended to deliver maximum punch in a narrow footprint, using rounded-rectangle geometry to create a modern, engineered look. It prioritizes strong silhouette and consistent weight for display settings where immediacy and presence matter most.
Round letters like O/Q and bowls in B/P/R show squarish curvature and tight interior space, reinforcing the compact texture. Diagonals in A/V/W/X are sturdy and steep, and numerals follow the same blocky, rounded-rectangle logic for a cohesive system.