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Free for Commercial Use

Sans Superellipse Fyral 11 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Artegra Sans' by Artegra, 'Level' by District, 'Remora Corp' by G-Type, 'Malmo Sans Pro' by Martin Lexelius Core, 'Amsi Pro' and 'Amsi Pro AKS' by Stawix, and 'Kommon Grotesk' by TypeK (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, merchandise, sporty, bold, punchy, playful, retro, impact, motion, approachability, display emphasis, brand presence, slanted, soft corners, compact, blocky, rounded.


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A heavy, slanted sans with compact proportions and softly rounded corners throughout. Strokes are uniformly thick with minimal modulation, producing dense, high-impact word shapes. Curves tend toward squarish rounds (rounded-rectangle/superellipse forms), especially in bowls and counters, while terminals are clean and blunt rather than tapered. Overall spacing feels tight and energetic, with a lively rhythm created by the consistent forward slant and broad, simplified forms.

Best suited to display settings where impact matters: headlines, posters, large UI callouts, and branding—especially in sporty or energetic contexts. It can work well on packaging and merchandise where bold, friendly letterforms need to read quickly at a glance. For long passages of small text, the dense weight and tight counters may feel heavy, so it’s most effective in short bursts.

The font reads as assertive and upbeat, with a sporty, poster-like presence. Its rounded, blocky construction keeps the tone friendly rather than aggressive, while the strong slant adds motion and urgency. The overall impression is playful-retro and attention-grabbing.

The design appears intended to deliver maximum punch with a forward-leaning, motion-oriented voice while staying approachable through rounded, superellipse-like construction. It prioritizes strong silhouettes and consistent stroke weight for clear, high-contrast shapes at display sizes.

Uppercase forms are sturdy and compact, and the numerals share the same rounded, chunky construction for consistent texture in headings. The lowercase has a sturdy, simplified feel with open, uncomplicated shapes, maintaining legibility despite the heavy weight. The italic angle is strong enough to create momentum without turning the letterforms into cursive structures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸