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Free for Commercial Use

Sans Normal Ralud 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Dexa Pro' by Artegra, 'Hanley Pro' by District 62 Studio, 'Aspira' by Durotype, 'Averta PE' by Intelligent Design, and 'Artico' by cretype (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, logos, friendly, playful, chunky, casual, retro, approachability, display impact, brand personality, softening tone, rounded, soft, bouncy, stout, compact.


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A heavy, rounded sans with generously thick strokes and softened corners throughout. Curves are full and smooth, and joins are blunt rather than sharp, creating a compact, cushiony silhouette in both uppercase and lowercase. Counters are relatively small for the weight, with open apertures kept simple and sturdy; terminals tend to be straight-cut but eased by rounding. The numerals match the same robust, simplified construction, with an overall rhythm that feels intentionally slightly uneven and hand-warmed rather than strictly geometric.

Best suited for short, high-impact settings such as headlines, posters, packaging, and brand marks where its rounded heft can carry personality. It can also work for large UI labels or signage when a friendly, non-industrial voice is desired, but extended body text may feel heavy unless set with generous size and leading.

The overall tone is approachable and upbeat, with a toy-like, snackable boldness that reads as friendly rather than technical. Its rounded massing and soft edges give it a relaxed, informal personality with a light retro flavor.

The design appears intended to deliver a warm, bold display voice—prioritizing softness, simplicity, and strong presence over precision or neutrality. Its forms aim for immediate readability with a distinctive, welcoming character that stands out in branding and promotional typography.

In the text sample, the dense weight and tight internal spaces create strong color on the page, making line breaks and spacing choices more noticeable than in lighter faces. The design’s slight bounce in shapes adds character at display sizes, while very small sizes may feel darker due to the compact counters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸