Sans Superellipse Abmah 3 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Bronkoh' by Brink, 'Neuron' and 'Neuron Angled' by Corradine Fonts, 'Klint' by Linotype, 'Core Gothic M' and 'Core Sans M' by S-Core, and 'Norpeth' by The Northern Block (names referenced only for comparison).
Keywords: ui design, app interfaces, wayfinding, packaging, brand systems, clean, friendly, modern, pragmatic, techy, clarity, modernization, approachability, system coherence, ui readiness, rounded, soft corners, monoline, open apertures, compact.
A rounded, monoline sans with superellipse-driven curves and softly squared terminals. Strokes stay even and sturdy, with a compact, efficient rhythm and wide counters that keep the texture open. Curved letters like C, G, O, and S lean on rounded-rectangle geometry rather than perfect circles, while straight-sided forms (E, F, H, N) feel crisp and stable. The lowercase shows simple, contemporary construction with single-storey a and g and a short, straight t, producing a straightforward, utilitarian silhouette.
This font suits interface typography, product UI, and dashboards where clarity at a range of sizes matters. Its rounded geometry also works well for contemporary brand systems, packaging, and signage that want a modern, friendly voice. The solid, even strokes and open shapes make it a dependable option for short-to-medium text and prominent headings alike.
The overall tone is contemporary and approachable, combining a technical neatness with softened corners that reduce severity. It reads as calm and functional, with just enough friendliness to suit consumer-facing interfaces and branding without feeling playful or quirky.
The design appears intended to merge geometric efficiency with softened, superellipse forms to achieve a modern sans that feels both technical and approachable. The consistent stroke weight and rounded-rect construction suggest an emphasis on clarity, cohesion across letters and numbers, and a polished presence in digital and environmental contexts.
Caps are clean and slightly condensed in feel due to the squared curves and tight curvature, which also helps maintain consistent color in headlines. Numerals are clear and sturdy, designed to match the same rounded-rect geometry as the letters for a cohesive UI-forward impression.