Sans Superellipse Renag 6 is a very light, narrow, monoline, upright, normal x-height font.
Keywords: ui labels, wayfinding, packaging, branding, signage, tech, minimal, futuristic, clean, clinical, space saving, systematic, modernization, clarity, rounded corners, squared curves, geometric, condensed, open apertures.
A condensed geometric sans with monoline strokes and consistently rounded, squared-off corners that give curves a superellipse/rounded-rectangle feel. The design is built from simple verticals and softened arcs, producing compact counters and a tidy, modular rhythm. Terminals are blunt with subtle corner radiusing; bowls and shoulders are squared in their curvature, and diagonals (A, V, W, X, Y) stay crisp and straight. Numerals and capitals keep a uniform, engineered presence, while lowercase forms remain straightforward and readable with gently rounded joins and relatively open apertures.
Well-suited to UI and product contexts where compact spacing and a clean, engineered look are desirable, such as navigation, settings screens, labeling, and dashboards. It can also work for modern branding, packaging, and environmental signage where the rounded-rect geometry reinforces a tech-forward or minimalist aesthetic.
The overall tone feels modern and technical, with a restrained, utilitarian character. Its rounded-square geometry reads as contemporary and slightly futuristic, suggesting interfaces, devices, and system labeling rather than expressive editorial typography.
The font appears designed to deliver a sleek, space-efficient sans with a distinctive rounded-square construction, balancing a geometric system feel with softened corners for approachability. The consistent stroke and simplified detailing suggest an emphasis on clarity and repeatable shapes across letters and numerals.
Round letters like C, G, O, Q, and e show the most distinctive squared-curved construction, creating a clear stylistic signature in running text. The narrow proportions and tight internal space give text a compact color that can look orderly in short settings and dense in long paragraphs.