Sans Normal Ninid 17 is a very bold, very wide, low contrast, upright, tall x-height font visually similar to 'DX Rigraf' by Dirtyline Studio, 'FF Clan' by FontFont, 'Muller Next' by Fontfabric, 'LCT Picon' by LCT, 'Campeche' by Latinotype, 'Ansage' by Sudtipos, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, solid, punchy, impact, approachability, clarity, modernity, rounded, blocky, compact, high impact, geometric.
A heavy, rounded sans with broad proportions and a compact internal rhythm. Strokes are uniformly thick with minimal modulation, and curves are built from smooth, near-circular bowls that stay crisp at joins. Counters are relatively tight for the weight, and terminals are clean and blunt, giving letters a sturdy, simplified silhouette. Lowercase forms are large and robust, with single-storey shapes where visible (notably the “a”), and a generally even, highly legible texture in words. Numerals match the letterforms in mass and width, reading as strong, contemporary figures suited to display settings.
Best suited for headlines and short-to-medium display copy where weight and width can carry the message—posters, brand marks, packaging panels, and bold UI or editorial headers. It can work in signage and promo graphics where immediate impact and quick readability are priorities.
The overall tone is assertive and upbeat—big, approachable shapes that feel contemporary and no-nonsense. Its wide stance and rounded geometry create a friendly presence while still projecting strength and confidence, making it feel attention-grabbing without becoming sharp or aggressive.
Designed to deliver maximum visual presence with a friendly, geometric softness. The consistent stroke weight, rounded bowls, and simplified forms suggest an intention to be highly legible at large sizes while creating a strong, contemporary brand voice.
The glyph set shown maintains consistent curve logic across rounds (C, O, Q, G) and a stable baseline/spacing feel in the text sample, producing a dense, headline-like color. Diacritics or punctuation aren’t shown in the grid, but the sample text indicates it holds up well in mixed-case lines at large sizes.