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Free for Commercial Use

Serif Humanist Asme 2 is a regular weight, normal width, high contrast, italic, normal x-height font.

Keywords: editorial, book design, magazine, invitations, branding, classic, literary, refined, lively, warm, elegant emphasis, classic text, calligraphic tone, editorial voice, bracketed serifs, diagonal stress, crisp terminals, calligraphic.


Free for commercial use
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This italic serif has pronounced thick–thin contrast and a clear calligraphic slant, with strokes that taper into crisp, slightly flared terminals. Serifs are bracketed and sharp, giving the forms a chiseled, print-like finish while keeping an organic, handwritten rhythm. Curves show a diagonal stress and the joining logic feels pen-driven, especially in the lowercase where counters are compact and strokes narrow into fine hairlines. Proportions are moderately open in the caps, while the lowercase maintains a steady, readable height with lively extenders and varied stroke widths.

It performs well for editorial typography, book and magazine settings, and other long-form text where an expressive italic is needed for emphasis. The high-contrast, sharply finished details also suit invitations, packaging, and brand applications that want a traditional, premium feel—especially at medium to larger sizes where the hairlines remain clear.

The overall tone is classic and literary, with a refined, old-world elegance suited to formal contexts. Its energetic italic motion adds a sense of emphasis and sophistication rather than speed, making it feel expressive but controlled.

The design appears intended to deliver a traditional italic voice with visible calligraphic influence, balancing sharp, high-contrast detail with warm, humanist proportions. It emphasizes elegance and legibility while preserving the dynamic, pen-like rhythm that distinguishes an italic used for both text and display emphasis.

The capitals read with strong presence and clean internal spacing, while the lowercase brings more movement through angled entry/exit strokes and tapered joints. Numerals follow the same high-contrast logic and appear designed to sit comfortably alongside text rather than as rigid lining figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸