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Free for Commercial Use

Sans Other Agna 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'FF Sanuk' by FontFont, 'Muller' and 'Muller Next' by Fontfabric, 'Allotrope' by Kostic, 'Fact' by ParaType, 'Karibu' by ROHH, and 'Core Sans NR' by S-Core (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, sports branding, heavy-duty, friendly, retro, punchy, utilitarian, impact, display emphasis, brand stamp, retro feel, clarity, rounded corners, blocky, compact, stencil-like, soft terminals.


Free for commercial use
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A dense, block-built sans with chunky strokes, softened corners, and mostly squared counters. Curves are simplified into rounded-rectangle forms, creating a sturdy, compact rhythm with minimal modulation. Many joins and terminals resolve into blunt, slightly radiused ends, while internal spaces stay tight and geometric, emphasizing mass and clarity at larger sizes. Overall spacing feels even and workmanlike, prioritizing strong silhouettes and consistent texture.

Best suited for short, high-impact settings such as headlines, posters, signage, logos, and bold packaging. Its dense, simplified forms hold up well when set large and can create a strong graphic stamp in branding or promotional materials. For longer reading, it’s more effective as a typographic accent or section marker than as continuous text.

The tone is bold and assertive, with a friendly, approachable edge created by the rounded corners and simplified geometry. It reads as retro-industrial and sports-adjacent—confident, loud, and playful rather than refined. The heavy shapes give it a poster-like presence that leans toward impact and immediacy.

The design appears intended to deliver maximum visual impact with a compact, geometric construction and softened edges, balancing toughness with approachability. Its simplified curves and squared counters suggest a purposeful, display-oriented build aimed at creating strong word shapes and an unmistakable presence.

Uppercase forms present as squared and sturdy, while lowercase maintains the same blocky logic, producing a cohesive, all-caps-like color in mixed text. Numerals are similarly hefty and straightforward, matching the alphabet’s compact, punchy silhouettes. The overall impression is intentionally stylized rather than neutral, with a slightly constructed, display-first feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸