Sans Normal Okbar 17 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Seitu' by FSD, 'Capitana' by Floodfonts, 'Marcher' by Horizon Type, 'Gardner Sans' by Lewis McGuffie Type, 'Endeavor' by Lucas Tillian, and 'Grava' by Positype (names referenced only for comparison).
Keywords: branding, headlines, signage, packaging, posters, modern, confident, functional, friendly, clean, clarity, impact, versatility, modernity, neutrality, geometric, sturdy, compact, crisp, even.
A sturdy sans with broad, geometric construction and smooth, circular curves paired with straight, decisive terminals. Stroke weight is consistently heavy, giving letters a compact, high-ink presence and strong silhouette clarity. Counters are generally generous (notably in O, P, R, and 8), while joins and diagonals (K, V, W, X) remain clean and sharply resolved. The lowercase uses simple, contemporary forms with a double-storey a, a single-storey g, and a short, flat-ended t, maintaining an even rhythm and tight, readable spacing in text.
This font performs well in brand marks, headlines, and large-format applications where strong presence and quick recognition matter. It is also a solid choice for signage and packaging thanks to its clear counters and stable letterforms. In short blocks of text, the consistent weight and simple shapes maintain a tidy, contemporary texture.
The overall tone is modern and pragmatic, projecting confidence without feeling aggressive. Its rounded geometry and open counters add approachability, while the dense weight and firm terminals communicate authority and clarity. The result feels well-suited to straightforward, contemporary branding and interface communication.
The design appears intended as a no-nonsense geometric sans that prioritizes clarity, sturdiness, and contemporary neutrality. Its forms balance clean construction with approachable roundness, aiming to be versatile for modern display and brand-forward settings.
Numerals are robust and highly legible, with clear differentiation between similar shapes (e.g., 6/8/9) and a clean, modern 1. Uppercase forms are notably compact and stable, with a wide, circular O and a cleanly cut G. The Q’s tail is minimal and controlled, avoiding decorative flair.