Sans Superellipse Ubmoy 7 is a very bold, normal width, medium contrast, upright, tall x-height font visually similar to 'Memesique' by Egor Stremousov, 'PODIUM Soft' by Machalski, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, and 'Fixture' by Sudtipos (names referenced only for comparison).
Keywords: posters, headlines, packaging, album art, streetwear, grunge, industrial, rugged, punchy, street, distressed display, tactile print, high impact, diy texture, stencil-like, distressed, blobby, blocky, inked.
A heavy, all-caps-forward sans with rounded-rectangle construction and softened corners throughout. Strokes are thick and largely uniform, but the silhouettes are intentionally irregular: edges wobble, counters show small chips, and many glyphs include worn-in voids and breaks that read like ink loss or rough stamping. Curves are squarish and superelliptical rather than geometric circles, and apertures tend to be narrow, producing compact interior space at text sizes. The lowercase follows the same chunky structure with a tall x-height feel and simplified, sturdy forms; numerals match the overall mass and maintain the same distressed texture.
Best suited to display roles such as posters, punchy headlines, branding marks, packaging, and apparel graphics where a distressed, stamped look adds character. It can work for short subheads or callouts, but dense paragraphs may lose clarity due to the heavy weight and chipped counters.
The font conveys a rough, utilitarian attitude—like painted signage, screen-printed merch, or a weathered industrial label. Its blunt forms and deliberate damage add grit and energy, leaning toward an underground, DIY sensibility rather than polished corporate neutrality.
The design appears intended to combine friendly rounded-rectangle geometry with a deliberately worn finish, creating a bold display voice that feels printed, handled, and imperfect. It prioritizes impact and texture over pristine readability, aiming for a gritty, tactile presence in titles and branding.
Texture is a defining feature: the distressing appears baked into the glyph shapes (not just applied in the sample), creating a consistent “worn” rhythm across letters, numbers, and punctuation. Because the counters and joins can close up visually, it reads strongest when given enough size and breathing room, or when the distressed look is the point.