Sans Superellipse Kusa 11 is a bold, very wide, low contrast, upright, tall x-height font.
Keywords: display, branding, logotypes, headlines, packaging, techy, friendly, futuristic, playful, clean, modern branding, soft geometry, tech identity, high impact, rounded, geometric, soft, chunky, monolinear.
A rounded geometric sans with superelliptical construction: bowls and counters read like softened rectangles, and corners resolve into broad radii rather than sharp joins. Strokes are monolinear and heavy, with generous internal counters that keep letters open despite the thickness. Proportions are expansive horizontally, with compact ascenders/descenders and a tall lowercase presence; curves are smooth and consistent, and terminals are rounded or softly squared. Overall spacing and rhythm feel steady and modular, emphasizing a constructed, contemporary look.
Best suited to display sizes where its wide stance and rounded-rect geometry can be appreciated—brand marks, product identities, headlines, posters, and packaging. It also fits UI titles and marketing graphics where a friendly, modern-tech voice is desired, while longer text may benefit from larger sizes and comfortable line spacing due to the heavy, expansive forms.
The tone is modern and approachable—clean and tech-forward without feeling cold. Its soft corners and inflated shapes add a playful, friendly personality that still reads as structured and purposeful, evoking contemporary UI, consumer tech, and futuristic branding.
The design appears intended to merge geometric rigor with softness: a constructed, superelliptical skeleton paired with rounded terminals and open counters for friendliness and clarity. It aims to feel contemporary and distinctive, emphasizing broad silhouettes and smooth curves for strong presence in short-form typography.
Round letters (O, C, G, e) show distinctly squarish curvature, reinforcing the superellipse logic throughout. Diacritics are not shown; numerals appear broad and simplified with consistent stroke weight, matching the letterforms’ softened geometry.