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Sans Superellipse Hukot 9 is a very bold, very narrow, medium contrast, upright, tall x-height font visually similar to 'Filler' by CarnokyType, 'Tusker Grotesk' by Lewis McGuffie Type, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, and 'Herokid' by W Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, signage, branding, packaging, industrial, poster, compressed, punchy, brutalist, space-saving, maximum impact, signage feel, geometric branding, headline strength, blocky, condensed, high-impact, monolinear, squared-round.


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A compact, high-impact sans with tall proportions and tightly compressed letterforms. Strokes are heavy and largely monolinear, with rounded-rectangle (superelliptic) bowls and softened corners that keep the dense shapes from feeling purely rigid. Apertures are narrow and counters are small, producing a dark overall texture; terminals are mostly blunt and straight, with occasional subtle curves in joins and shoulders. The rhythm is vertical and stacked, with uniform widths across many glyphs but enough variation to keep words from becoming a solid slab.

Best suited for display work where density and impact are desired: headlines, posters, event graphics, storefront or wayfinding-style signage, and bold packaging. It can also serve as a strong brand voice for short phrases, labels, and callouts where compact width and maximum weight are advantageous.

The tone is assertive and utilitarian, leaning toward industrial and poster-driven aesthetics. Its compressed massing and squared-round geometry evoke signage, stenciled heft, and bold editorial headlines, delivering a no-nonsense, high-pressure feel.

The design appears intended to deliver maximum visual punch in minimal horizontal space, combining a condensed build with rounded-rect forms to create a distinctive, sturdy voice. It prioritizes bold presence and a cohesive geometric system over open readability at small sizes.

At text sizes the small counters and tight apertures can close up, but at display sizes the distinctive rounded-rect geometry and strong vertical cadence become a defining personality. Numerals match the same condensed, heavy construction for consistent impact in mixed alphanumeric settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸