Sans Superellipse Oskah 22 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Ebru Sans' by Ahmet Altun, 'Area' by Blaze Type, 'Gibstone' by Eko Bimantara, 'Helvetica Now' by Monotype, and 'Otoiwo Grotesk' by Pepper Type (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, assertive, contemporary, sporty, punchy, compact impact, strong legibility, modern utility, space efficiency, compact, blocky, geometric, rounded corners, high impact.
A compact, heavy sans with rounded-rectangle construction and squared-off curves that read as superelliptical. Strokes are uniformly thick with minimal modulation, producing dense counters and strong vertical emphasis. Terminals are clean and blunt, corners are softened rather than sharp, and overall proportions feel tight with short extenders. Round letters lean more “squircle” than circular, and diagonals are sturdy and simplified, keeping a consistent, poster-friendly rhythm.
Best suited to headlines and short bursts of text where impact and density are assets—posters, branding marks, packaging callouts, and signage. It can also work for UI labels or navigation at larger sizes where its tight counters remain open enough for quick recognition.
The tone is bold and no-nonsense: modern, forceful, and utilitarian with a slightly sporty edge. Its rounded corners soften the impact just enough to feel contemporary rather than harsh, while the compact forms keep it energetic and attention-grabbing.
The design appears intended to deliver maximum visual weight in a space-efficient width, using rounded-rectangle geometry to keep forms modern and friendly while remaining blunt and authoritative. It prioritizes bold presence and consistent texture over delicate detail.
The sample text shows strong word-shape clarity at large sizes, with tight interior spaces that emphasize mass and solidity. Numerals match the same compact, blocky logic, supporting a cohesive voice across display settings.