Sans Superellipse Utdad 7 is a regular weight, wide, monoline, upright, normal x-height font visually similar to 'Sweet Square' by Sweet and 'Obvia Expanded' by Typefolio (names referenced only for comparison).
Keywords: ui, branding, headlines, signage, product labels, techy, futuristic, clean, efficient, modern, digital clarity, system design, modern branding, industrial feel, squared-round, geometric, rounded corners, modular, compact counters.
A geometric sans built from squared-round, superellipse-like forms with consistently rounded corners and largely uniform stroke weight. Curves resolve into flattened arcs rather than true circles, giving bowls and counters a soft-rectangular feel (notably in O, D, P, and 0). Terminals are clean and mostly horizontal/vertical, with occasional angled joins for diagonals (A, K, V, W, X, Y). Proportions are open and slightly extended, with generous interior space in many letters, while some counters (e, a) stay compact to maintain a tight, modular rhythm. Numerals follow the same rounded-rectangle logic, with clear, stable silhouettes and minimal contrast.
Well suited to user interfaces, dashboards, and app or device branding where a crisp, modern voice is needed. It also works strongly for headlines, wayfinding, and product/packaging labels thanks to its stable shapes, wide stance, and distinctive rounded-rect forms that remain recognizable at distance.
The overall tone is contemporary and technical, with a calm, engineered confidence. Its rounded-rect geometry reads as digital and interface-forward—friendly enough to feel approachable, but still precise and utilitarian.
Likely intended to deliver a sleek, contemporary sans with a superellipse geometry that signals technology and industrial design. The consistent corner rounding and modular construction prioritize clarity, repeatable forms, and a controlled, system-like personality across letters and figures.
The design language is highly consistent across uppercase, lowercase, and numerals, emphasizing repetition of corner radii and flattened curves. The uppercase set feels especially architectural and signage-like, while the lowercase keeps a straightforward, modern construction that supports continuous text without becoming decorative.