Sans Normal Myboh 2 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Newhouse DT' by DTP Types, 'Helen Bg' by HS Fonts, 'Helvetica' and 'Neue Haas Grotesk Display' by Linotype, 'Pragmatica' by ParaType, 'Galano Grotesque' by René Bieder, 'NeoGram' by The Northern Block, and 'Clinto' and 'Inovasi' by XdCreative (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, confident, playful, modern, punchy, high impact, approachability, clarity, modernity, geometric, rounded, blunt, compact, blocky.
A heavy, geometric sans with broad proportions and simplified, sturdy construction. Curves are built from near-circular bowls and smooth arcs, while terminals are largely blunt with minimal modulation. Counters are generous for the weight, keeping letters like O, a, e, and g open and legible, and the overall rhythm is even and stable. Uppercase forms feel squat and powerful, and the lowercase shows single-storey a and g with compact joins and a prominent, round i/j dot.
Best suited to display settings where weight and breadth are assets: headlines, posters, brand marks, packaging, and signage. It can also work for short UI labels or callouts where a friendly, emphatic tone is needed, though extended text will feel dense due to the heavy color.
The typeface reads bold and approachable, with a friendly roundness that tempers its mass. Its clean geometry and thick strokes give it a contemporary, confident tone suited to attention-grabbing messages. The overall feel is playful without becoming quirky, leaning toward straightforward, high-impact communication.
The design appears aimed at delivering a bold, modern geometric voice that stays readable through large counters and simplified forms. Its rounded geometry and blunt terminals suggest an intention to balance impact with approachability, making it useful for upbeat commercial and editorial display typography.
Numerals are robust and highly graphic, with simple silhouettes and large interior spaces that help them hold up at smaller sizes. Diacritics shown (such as the i/j dots) are circular and emphatic, reinforcing the font’s rounded, sign-like voice. Spacing in the sample text appears designed for strong word shapes and clear separation in heavy settings.