Sans Superellipse Utday 2 is a bold, wide, monoline, upright, normal x-height font.
Keywords: display, logotypes, headlines, posters, ui labels, tech, futuristic, industrial, gaming, space-age, ui aesthetic, tech branding, sci-fi tone, modular system, rounded corners, boxy, geometric, modular, compact counters.
A geometric sans built from rounded-rectangle forms, with squared curves and consistently softened corners throughout. Strokes are uniform and sturdy, producing a crisp, monoline silhouette; apertures and counters tend to be compact, reinforcing a dense, engineered rhythm. Many joins resolve into straight segments with radiused turns, and diagonals (notably in K, V, W, X, and y) are clean and mechanical rather than calligraphic. Numerals follow the same squarish geometry, with clear, high-contrast silhouettes and rounded terminals that keep the texture cohesive in text.
Best suited to display settings where its squared-round geometry can read as intentional and stylistic—such as branding, esports and gaming graphics, tech products, packaging, and sci‑fi or industrial-themed titles. It can also work for short UI labels and interface headings where a futuristic, engineered voice is desired.
The overall tone is futuristic and device-like, evoking interfaces, sci‑fi labeling, and industrial wayfinding. Its rounded-square geometry feels modern and synthetic, balancing friendliness from the softened corners with a purposeful, technical rigidity.
The design appears intended to translate the logic of rounded-rectangle hardware and screen UI shapes into a cohesive alphabet. By prioritizing uniform strokes, radiused corners, and compact internal spaces, it aims for a contemporary, techno display voice that stays consistent across letters and numerals.
The design maintains a tight, modular consistency across uppercase, lowercase, and figures, creating an even typographic color at larger sizes. The more closed constructions in letters like a, e, and g emphasize a compact, constructed feel, while wide, rounded bowls (O, Q, 0) anchor the set with stable, signlike forms.