Hollow Other Hamy 3 is a regular weight, wide, very high contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, packaging, album covers, art deco, experimental, graphic, playful, retro, decorative impact, distinctive texture, retro nod, display emphasis, stencil-like, geometric, inlined, knockout, high-impact.
A geometric display face built from bold, simplified letterforms that are repeatedly broken up by internal knockouts and outlined segments. Many glyphs mix solid black masses with thin, hairline contours and inset shapes, creating a striking inlaid/stencil effect rather than continuous strokes. Round letters lean on near-circular bowls with sliced counters, while straights are constructed from blocky verticals and diagonals with abrupt, angular terminals. The internal cut patterns vary per character, producing a lively, slightly irregular rhythm and a deliberately “collaged” texture across words.
Best suited for headlines, logos, posters, packaging, and other large-scale display settings where the internal cutouts can be appreciated. It can work well for short editorial titles, event promotion, and album/film graphics, and as an accent font paired with a simpler text face.
The overall tone feels Art Deco–leaning and poster-like, with a playful, puzzle-piece energy from the shifting cutouts. It reads as bold and graphic, suggesting vintage signage and experimental editorial titling rather than quiet, utilitarian text.
The design appears intended to reinterpret classic geometric display typography with a contemporary twist: carving letterforms into segmented black-and-white shapes to create motion, contrast, and a distinctive signature texture. The goal seems to be high visual memorability and strong graphic presence over neutral readability.
Uppercase forms are especially emblematic and high-impact; lowercase maintains the same motif but can read more novelty-forward due to the frequent interior slicing. Numerals follow the same black/white segmentation, making them attention-grabbing in large sizes. Because the knockouts and outlines are visually busy, spacing and size become important to preserve clarity in longer lines.