Font Hero

Free for Commercial Use

Hollow Other Hamy 2 is a regular weight, normal width, very high contrast, upright, normal x-height font.

Keywords: headlines, posters, logos, album covers, packaging, quirky, playful, cutout, retro, collage, expressive display, visual texture, graphic impact, novelty, geometric, stencil-like, fragmented, outlined, high-impact.


Free for commercial use
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A decorative, high-contrast display face built from crisp geometric silhouettes and outlined segments. Many glyphs combine solid black masses with interior knockouts and thin, linear partitions, producing a hollowed, cut-and-paste look with intentionally irregular negative space. Curves are largely circular and clean, while straight strokes are rigid and planar; terminals tend to be abrupt, with occasional notched or fractured joins. Overall spacing and rhythm feel intentionally uneven, with per-letter construction varying to create visual surprise while maintaining a consistent black/white modular language.

Best suited to short, attention-grabbing settings such as headlines, posters, event graphics, and branding marks where the internal cutouts can be appreciated. It can also work for packaging and editorial openers when paired with a quiet text face. For longer passages or small sizes, the busy interior detail may reduce clarity.

The overall tone is playful and eccentric, with a graphic, poster-like energy. Its collage-like cutouts and dramatic contrast give it a vintage display feel while still reading as contemporary and experimental.

The design appears intended as an expressive display font that explores hollowed interiors and irregular knockouts to create a distinctive, high-impact texture. By mixing filled shapes with outlined scaffolding, it aims to deliver a bold graphic voice that feels handmade in concept while remaining crisp and geometric in execution.

Round characters (like O/Q) emphasize concentric counters and segmented interior shapes, while many verticals show narrow outlined columns that contrast sharply with adjacent filled areas. The mixed use of outline-only strokes and heavy fills makes the texture sparkle at larger sizes, but can look busy as size decreases.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸