Font Hero

Free for Commercial Use

Hollow Other Hamy 1 is a regular weight, normal width, very high contrast, upright, normal x-height font.

Keywords: posters, headlines, logos, packaging, editorial, art deco, playful, theatrical, retro, quirky, graphic impact, deco revival, texture, experimentation, display use, stencil-like, knockout, geometric, monoline, modular.


Free for commercial use
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A geometric display face built from monoline outlines and bold, high-contrast knockout fills. Many glyphs read as hollow forms with irregular internal wedges, quarter-circles, and rectangular plugs that interrupt the bowls and terminals, creating a modular, stencil-like rhythm. Curves are largely circular and clean, while joins and terminals are frequently squared off; several letters mix rounded bowls with sharp diagonals for a crisp, constructed feel. Spacing and widths vary noticeably across the set, reinforcing a hand-assembled, collage-like texture in words.

Best used for short display text where the cutouts can be appreciated: posters, event branding, album or book covers, packaging callouts, and identity marks. It can also work for editorial headlines and pull quotes when set large with generous tracking to keep the internal knockouts from crowding.

The tone is bold and mischievous, with a strong Art Deco and early-modernist flavor filtered through playful cutouts. The alternating black-and-white logic gives it a stage-poster energy—graphic, attention-seeking, and slightly surreal—suited to designs that want to feel retro-futurist and inventive rather than strictly utilitarian.

The design appears intended to reinterpret geometric, Deco-era letterforms through a system of hollow outlines and irregular knockouts, producing strong figure/ground effects. Its primary goal is graphic impact and distinctive texture in words, prioritizing personality and composition over long-form readability.

The knockout patterning is not uniform from glyph to glyph, so the font reads as intentionally irregular and decorative. Counters and apertures can become visually busy at smaller sizes, while the outline structure helps maintain letter silhouettes in larger settings.

120px
108px
96px
84px
72px
64px
56px
48px
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8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸