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Free for Commercial Use

Sans Superellipse Teguz 6 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Kalligraaf Arabic' by Hanifonts, 'Organetto' by Latinotype, and 'TT Hoves Pro' by TypeType (names referenced only for comparison).

Keywords: posters, headlines, packaging, stickers, apparel, grunge, playful, rugged, handmade, punchy, distressed display, stamp effect, diy texture, bold impact, retro poster, distressed, roughened, blobby, soft-cornered, chunky.


Free for commercial use
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A heavy, soft-cornered sans with rounded-rectangle construction and a noticeably distressed edge treatment. Strokes are broad and fairly even, with small nicks, dents, and irregular contours that create a worn, ink-bitten silhouette. Counters are compact but open enough to stay recognizable, while curves (notably in O/C/G and the bowls of b/p) lean toward squarish rounds rather than perfect circles. Overall spacing and rhythm feel sturdy and compact, with a slightly uneven texture coming from the consistent roughening rather than from slant or modulation.

Works best for short, high-impact text such as posters, headlines, album art, event graphics, packaging, stickers, and apparel graphics where texture is desirable. It can also serve as a display companion in branding systems that want a tactile, printed feel, but is less suited to long passages or small UI text where the rough edges may reduce clarity.

The font conveys a gritty, handmade energy—part stamp/print artifact, part cartoon boldness. Its softened geometry keeps it friendly, while the distressed perimeter adds attitude and a DIY, poster-like roughness. The result feels loud, informal, and intentionally imperfect.

The design appears intended to deliver a bold display voice with a pre-worn, printed texture, combining rounded-rectangle letterforms with deliberate edge damage to mimic distressed stamping or heavily inked printing. It prioritizes character and presence over pristine precision, aiming for immediate visual impact and a tactile feel.

Uppercase forms read as blocky and emphatic, while lowercase maintains the same chunky footprint, helping mixed-case text keep a steady color. Numerals are similarly stout and textured, suited to bold callouts rather than delicate data. The distressed detailing is pervasive enough that small sizes may darken or fill in, especially in tight counters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸