Sans Superellipse Feril 2 is a bold, normal width, low contrast, italic, tall x-height font visually similar to 'Charles Wright' by K-Type, 'Navine' by OneSevenPointFive, 'Nulato' by Stefan Stoychev, 'Gemsbuck Pro' by Studio Fat Cat, and 'Forgotten Futurist' by Typodermic (names referenced only for comparison).
Keywords: sports branding, racing graphics, headlines, posters, packaging, sporty, techy, dynamic, assertive, futuristic, impact, speed, modernity, branding, display, oblique, squared, rounded corners, compact apertures, angular joints.
A heavy, forward-leaning sans with squared, superelliptic bowls and consistently rounded corners. Strokes are monolinear and muscular, with broad curves resolved into flattened arcs and straight segments that create a geometric, engineered feel. Counters tend to be compact and openings are relatively tight, reinforcing a dense, high-impact texture in words. The lowercase shows a single-storey a and g, and the numerals follow the same rounded-rectangle logic with sturdy, blocky silhouettes.
Best suited to high-impact display use such as sports identities, motorsport or fitness graphics, event posters, product packaging, and tech-forward marketing. It can work for short UI labels or navigation where a bold, energetic tone is desired, but its tight apertures and dense texture favor larger sizes and shorter runs of text.
The overall tone is fast, strong, and modern—suggesting speed, performance, and technology. Its slanted stance and squared curves give it an athletic, action-oriented voice that reads as confident and slightly aggressive without becoming ornamental.
The design appears intended to deliver a contemporary, performance-driven sans with a distinctive superelliptic construction. By combining a strong oblique stance with rounded-rectangle geometry, it aims for immediate recognition and a streamlined, industrial clarity in branding and display typography.
Rhythm is driven by repeated rounded-rectangle shapes across O/C/G/e and the digits, producing a cohesive, modular look. The italics are built into the forms rather than simply sheared, with diagonal terminals and angled joins that keep the design feeling intentional in headlines.